Let us be early medieval or late Renaissance,
spike-featured Norman Christ
or bone-faced Dureresque peasant,
skeleton staining the flesh.
Let us descend the granite steps
and gather at at the river’s edge
for today is an Eakin’s day on the Schuykill:
boat races, festive crowds, spontaneous celebration.
See the strong young men lift their sculls
from the racks and carry them overhead
like slender varnished beetles
to the murky and opaque waterway.
See the girls sleek and oiled cheer them on,
the losers as well as the winners.
See the geese that summer and winter here
spring up over the island. See them sport
with one another in raucous feathery
gaggles and announce to the daily horde
the absence of human frailty.
For all seems well under the cutting sun:
Joan of Arc is heroically bronzed
though even she cannot halt traffic along the drive
and Mad Anthony Wayne rears on his horse
with the famed golden testicles.
How miraculous we seem to ourselves on this fair mountain
as cyclists weave round us, in and out
of joggers and skater and strawberry mansions.
There is more: deep in the earth
an orchestra plays something lush,
romantic, called back and tempered
by the limping Hungarian.
And there on the bank I see
an old black man-
fishing for catfish, stepped from a genre painting.
But remember, we have come to watch the boat races-
the crews in their sculls on the Schuykill,
2-man, 4-man, 8-man and coxswain,
barking his rubbery lips stretched
over a frightening oracular beak:
Stroke! Stroke! Stroke!
And the coach puttering around
effortlessly in his motor boat,
looping lazy figure-eights about them
as they rain sweat, snap ligaments, and groan.
But this is only practice,
the race is soon to run.
Only then will these young oarsmen show
an old and tired Charon the ropes-
how to run his ferry faster
on this one of many rivers,
stroke by stroke by stroke.
By Leonard Kress (1987)
From the anthology Common Wealth: Contemporary Poets on Pennsylvania