How Many?

A Sunday school teacher in Ohio asked her class how many soldiers it took to hold Jesus down while they drove the nails into His hands and feet. She was humbled to explain to them how He gave His life willingly to save all who would believe.

The following is a poem written by Connie Faust.

Water Color of Crucifixion

How many soldiers did it take to hold our Savior down
as the nails were driven into His trembling flesh?
Did they hold fast His precious head to place the thorny crown,
viciously assuring it would keep the bleeding fresh?

“How many?” asked the teacher, as she faced her little brood,
each child tried to answer, as earnestly they stood.
“Four soldiers,” called Meg,
“Ten!” said Jon, mocking her with a shove.
Jimmy rose and cried, “You’re wrong! He did it out of love!”

From lips of a child the answer in startling truth rings still:
Out of love for all mankind, He did His Father’s will.
“You’re wrong!” the answer echoes loud – He willingly obeyed;
If He had fought and struggled, the debt would not be paid.

How many soldiers did it take to hold the Savior still?
He did it all for you on that dark and lonely hill!
He did it out of love for you, to save you from your sin.
He’s offering forgiveness; will you turn and follow Him?

+++

But He was punished for our transgressions,
He was crushed for our iniquities;
the punishment that brought us peace was upon Him,
and by His wounds we are healed.

(Isaiah 53, Living Bible)

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Facing Late Autumn

The leaves lay like a wound,
red and deep across the lawn, while what remains
is frightened away by bursts of November wind.
I look at concrete-gray clouds and sigh,
knowing it is time to cover flower beds,
yank out roots of annuals,
their petals shriveled and frail, as fine as dust
released to the air.
Soon I will cut back roots of perennials,
until everything in the yard is brown,
until birds no longer chirp,
but vacate their nests,
more visible now as branches of trees
shake against the wind
and scrape against windows like angry fingers,
while the house creaks at its joints.

©2016 Brian Fanelli

Life’s Poetry

I sit. Heart in hand. I
create. Some of you
may turn away from
the blood. The red
spilling over. It’s OK
if you do.

Sometimes it scares
me too, but still I
hold it. Palms out.
I’m giving you what
frightens me. This
is me saying, yes, I’m
still here.

I give you my less than
moments, my insecurities,
my madness, my ideas
about life and love, my
shrine of longing.

My heart slipping from
my hands, falling past
my knees to the floor.

Falling toward your
shadow I hope you
will pick it up.
Feel the hopeful
beat that wars
with my still
soul and chaotic
mind. I give you
my wounds.

We connect through
our pain, my friend,
my reader. Through
the hornets in our
coffee cups. Our
syllables of what
we can’t forget.

As we suffer together,
fear becomes less.
Our hearts beat stronger.
Place them on the
dashboard like a
plastic Jesus.

It’s doesn’t matter if
they leak on the
floorboard. It only
matters that we travel on,
even if we’ve misplaced
the map, even if our sanity
becomes displaced, even if
we drive down a reckless road
on a moonless night.

Understand, if we want
heaven and angels,
sometimes we have
to ride around with
our demons.

Understand, sometimes,
darkness is the heart of
life, of beauty, of art.

-Tosha Michelle

Please click on the following link for more of Tosha Michelle’s engaging poetry: https://laliterati.com/category/poems/

Of Modern Poetry

Ask ten different educated, well-read people to define modernism, or the “modern” era [you know, the one right before our total disillusionment and our adoption of post-modern thinking] and you’ll likely get ten different definitions; or at least ten different sentiments about that period in our history as a nation, as a people. Certainly, going in to the modern era, we thought (or were at least were hopeful) that science would solve all our problems. There would be vast improvements in industrialization, medicine, peacetime, reduction in world hunger, and the advancement of the rights of man, woman and child. Then came World War I, the stock market crash, and World War II. We dropped a nuclear warhead on a Japanese city, instantly killing 80,000 people. The shock wave was felt for over 18 kilometers.

Novelists, poets, painters, and many other artists put their angst on display through the medium of their choice. I found the following poem by Wallace Stevens. Try reading it as if you were living in the early 1900s. Feel his emotion, his worry, his outrage, quiet as it may be in this piece. He comments that the poem of the mind had not always had to try so hard to find its scene. Its place. Things usually didn’t change so fast, so drastically. Stevens wrote this poem three years before the U.S. dropped the atomic bomb on Hiroshima. Many more horrific and inexplicable changes were yet to come…

The poem of the mind in the act of finding
What will suffice. It has not always had
To find: the scene was set; it repeated what
Was in the script.
Then the theatre was changed
To something else. Its past was a souvenir.
It has to be living, to learn the speech of the place.
It has to face the men of the time and to meet
The women of the time. It has to think about war
And it has to find what will suffice. It has
To construct a new stage. It has to be on that stage,
And, like an insatiable actor, slowly and
With meditation, speak words that in the ear,
In the delicatest ear of the mind, repeat,
Exactly, that which it wants to hear, at the sound
Of which, an invisible audience listens,
Not to the play, but to itself, expressed
In an emotion as of two people, as of two
Emotions becoming one. The actor is
A metaphysician in the dark, twanging
An instrument, twanging a wiry string that gives
Sounds passing through sudden rightnesses, wholly
Containing the mind, below which it cannot descend,
Beyond which it has no will to rise.
It must
Be the finding of a satisfaction, and may
Be of a man skating, a woman dancing, a woman
Combing. The poem of the act of the mind.
©1942 Wallace Stevens

Fatigue Performance

Tonight the wind is in your voice.
And the gods are nervous
about the drinking water.
Someone hijacks the background
with three simple dance moves.
Or maybe the clouds
paused on the television
set during a ball game.
The silence inside
the photograph
of you eating alone
in an old yearbook.
This is going to be over
before you know it.
But not before your hands
become small birds
in celebration
of the present snow.
An expressed panic
attack of harmonics.
It’s like listening to your heartbeat
in a club, all the lights off,
all by yourself.

©2017 Noah Falck

And Death Shall Have No Dominion

And death shall have no dominion.
Dead man naked they shall be one
With the man in the wind and the west moon;
When their bones are picked clean and the clean bones gone,
They shall have stars at elbow and foot;
Though they go mad they shall be sane,
Though they sink through the sea they shall rise again;
Though lovers be lost love shall not;
And death shall have no dominion.

And death shall have no dominion.
Under the windings of the sea
They lying long shall not die windily;
Twisting on racks when sinews give way,
Strapped to a wheel, yet they shall not break;
Faith in their hands shall snap in two,
And the unicorn evils run them through;
Split all ends up they shan’t crack;
And death shall have no dominion.

And death shall have no dominion.
No more may gulls cry at their ears
Or waves break loud on the seashores;
Where blew a flower may a flower no more
Lift its head to the blows of the rain;
Though they be mad and dead as nails,
Heads of the characters hammer through daisies;
Break in the sun till the sun breaks down,
And death shall have no dominion.

By Dylan Thomas

Riding the Coattails of the Morning Sun

Like a knob-kneed colt
with wild mane flying
I galloped carefree through my youth.
Muddy potholes and thorny hedges
were no obstacles but welcome challenges.
Sparks bounced off my radiant body
as I rode on the coattails of the morning sun.

Now I sit by candlelight,
a crocheted comforter around my shoulders,
recalling old wrongs and shortcomings
as well as the delicate beauties of my life
—and tell stories.

©2017 Ute Carson

Retrieved from: http://www.longshotisland.com/2017/02/08/momentary-poems/

 

Woodland

Let me be
amongst your trees
for when you write
upon the sky
like poems
my thoughts come
to life
in the stillness
of your wood
and I must travel
again and again
through this forest
and listen as
your myriad leaves
sway
in leisured dance
and you sing me
songs of
olden days and
whisper secrets
through the wind
so I go
into the woodland
to lose my mind
for here
is rest

From the blog of Little April Shower
Retrieved from https://littleaprilshow.wordpress.com/author/littleaprilshow/

Childhood Dream

Long ago
Long before the dawn of his youth
Lived a boy, a young boy
A boy who had a dream
A childhood dream.
He would lay at the forest glade
And gaze, gaze in wonder
At the peculiar workings of the earth.
He would count all the birds of the sky
Wander into the dark forest deep
Stroll by the humming river
And paint with all the colors of the earth.
The night’s inner glow,
The wild’s cheerful tune;
All of earth’s splashy marvel
Would prompt his thoughts
To travel the world
In search of a secret.
The blue waters of the Pacific seemed a decent start, he thought
Perhaps a swim in the depths of Waikiki Beach
Or a hike up Mt. Rainier
A stroll in the scenic wonderlands of Northern Idaho
Maybe a nice dinner in Broadmoor Hotel at Colorado Springs
Or build a cabin in Minnesota’s lake country
A day picnic at Mt. Chocorua
A quick walk down Boston Common
Or a Tulip time at Bronx,
Drifted his mind.
Bend of Susquehanna, Cayuga Lake, Chesapeake Bay, Rehoboth Beach
Flashed upon his sight.
Then one day, not long ago
To his surprise
He found the secret
Veiled in one who owns his heart.

©2016 Marrion Kiprop

For Jimmy, Who Bruised By Ribs and Busted My Nose

I had a bully who pursued me nearly every day during middle school until one day I’d had enough. I round-house punched him in the face, bloodied his crisp white t-shirt. His dad came to the house and threatened to beat up my dad because I beat up his son. “See, this is why I hate fighting,” I said to my dad. The following poem by Brian Fanelli is dedicated to anyone who has ever had a bully.

In our neighborhood, Fat Jimmy descended the mountain,
his chest heaving like a bull,
ready to maul a matador.

He cracked his scarred knuckles, hunted scrawny prey,
curb stomped our basketballs
like heads he wanted to bash,

or ghost rode our bikes
down the garbage trail dump,
until one day I gripped my handlebars

like a soldier clinging to a rifle,
refusing defeat as Jimmy knocked me to my back,
clocked me in the chin.

Numbed, I laughed as he pounded and pounded,
until my nose gushed, my ribs throbbed,
my skin swelled faster than his heated cheeks.

This poem is for the bully who never cried,
who hid belt lashes from us, who ran from the sound
of his father’s battered Ford tracking him down,

the son whose hands tightened to fists like his father’s,
who uncurled his fingers to study my blood,
and then extended a hand to lift me up.