Ghost Story

In a field near the lake
stands the ghost of a dead oak.
The ghost is black and very tall.
It never speaks or moves.
The sky wants to take it.
The earth wants to eat it.
But the ghost is strong, it does not want to move.
So it argues half its tongues into the dirt,
and grips hard against the sky’s glutton lung.
It whispers the other half into air,
and weathers the white earth’s thirst.
Like a frayed black suture it binds earth and sky together.
In this way the ghost stills its universe:
the sky can never rise nor the earth fall
out of their coupling’s grave jurisdiction.
The lake will breathe its atoms to the clouds,
the constellations will pageant
the lucky patterns of their composition
until they break and fade,
but the ghost will stand
contented with the silence,
with the snowfall,
with the stalemate of its own device.

-Art Zilleruelo

What If?

What happens in the chamber
of a narrow mind?
Does the air grow thin?
Does the dim light flicker?
What would happen if
a door opened?
If they dared to look beyond it? If they viewed the world as it is, cracked but not broken?
If they acknowledged not only voices that speak with the loudest inflections, but those small voices that bend?
Imagine if they saw liberty as
not just a ruse but something
that belongs to everyone?
The axis of the Earth not
just them, but you and me too.

©2018 Tosha Michelle

To read more from Tosha Michelle or follow her blog please click here: https://laliterati.com/2018/06/20/what-if/

Just a Simple Soldier

He was getting old and paunchy and his hair was falling fast, 
and he sat around the Legion, telling stories of the past. 
Of a war that he had fought in and the deeds that he had done. 
In his exploits with his buddies; they were heroes, everyone. 
And ‘tho sometimes to his neighbors, his tales became a joke, 
all his buddies listened, for they knew whereof he spoke. 
But we’ll hear his tales no longer, for ol’ Bob has passed away, 
and the world’s a little poorer, for a soldier died today. 
He won’t be mourned by many, just his children and his wife. 
For he lived an ordinary, very quiet sort of life. 
He held a job and raised a family, quietly going on his way; 
and the world won’t note his passing; ‘tho a Soldier died today. 
lest we forget
When politicians leave this earth, their bodies lie in state. 
While thousands note their passing, and proclaim that they were great. 
Papers tell of their life stories, from the time that they were young, 
but the passing of a soldier, goes unnoticed, and unsung. 
Is the greatest contribution, to the welfare of our land, 
some jerk who breaks his promise, and cons his fellow man? 
Or the ordinary fellow, who in times of war and strife, 
goes off to serve his Country and offers up his life? 
The politician’s stipend and the style in which he lives, 
are sometimes disproportionate, to the service he gives. 
While the ordinary soldier, who offered up his all, 
is paid off with a medal and perhaps a pension, small. 
soldier kneeling cross rifle.png
It’s so easy to forget them, for it is so long ago, 
that our Bob’s and Jim’s and Johnny’s, went to battle, but we know. 
It was not the politicians, with their compromise and ploys, 
who won for us the freedom, that our Country now enjoys. 
Should you find yourself in danger, with your enemies at hand, 
would you really want some cop-out, with his ever waffling stand? 
Or would you want a Soldier, who has sworn to defend, 
his home, his kin, and Country, and would fight until the end? 
He was just a common Soldier and his ranks are growing thin. 
But his presence should remind us, we may need his like again. 
For when countries are in conflict, then we find the Soldier’s part, 
is to clean up all the troubles, that the politicians start. 
If we cannot do him honor, while he’s here to hear the praise, 
then at least let’s give him homage, at the ending of his days. 
Perhaps just a simple headline, in the paper that might say: 
“OUR COUNTRY IS IN MOURNING, FOR A SOLDIER DIED TODAY.”
©1985 A. Lawrence Vaincourt

 

Directions to My Muse

Undo the four screws
on the plastic back

of the transistor radio.
Lift off the square with care.

Let the tiny people blossom
in the cup of your palm.

Hold the music, its weight—
write what you see,

It isn’t about writing—
it’s about opening, knowing.

©2018 Sarah Dickenson Snyder

About the Poet. Sarah Dickenson Snyder has two poetry collections: The Human Contract and Notes from a Nomad. Recent work will appear or has been in The Comstock Review, Damfino Press, The Main Street Rag, Chautauqua Literary Magazine, RHINO, The Sewanee Review, Front Porch, and Whale Road Review.   https://sarahdickensonsnyder.com/

Rowers on the Schuykill

Let us be early medieval or late Renaissance,
spike-featured Norman Christ
or bone-faced Dureresque peasant,
skeleton staining the flesh.

Let us descend the granite steps
and gather at at the river’s edge
for today is an Eakin’s day on the Schuykill:
boat races, festive crowds, spontaneous celebration.
See the strong young men lift their sculls
from the racks and carry them overhead
like slender varnished beetles
to the murky and opaque waterway.
See the girls sleek and oiled cheer them on,
the losers as well as the winners.
See the geese that summer and winter here
spring up over the island. See them sport
with one another in raucous feathery
gaggles and announce to the daily horde
the absence of human frailty.

For all seems well under the cutting sun:
Joan of Arc is heroically bronzed
though even she cannot halt traffic along the drive
and Mad Anthony Wayne rears on his horse
with the famed golden testicles.
How miraculous we seem to ourselves on this fair mountain
as cyclists weave round us, in and out
of joggers and skater and strawberry mansions.

There is more: deep in the earth
an orchestra plays something lush,
romantic, called back and tempered
by the limping Hungarian.
And there on the bank I see
an old black man-
fishing for catfish, stepped from a genre painting.

But remember, we have come to watch the boat races-
the crews in their sculls on the Schuykill,
2-man, 4-man, 8-man and coxswain,
barking his rubbery lips stretched
over a frightening oracular beak:
Stroke! Stroke! Stroke!
And the coach puttering around
effortlessly in his motor boat,
looping lazy figure-eights about them
as they rain sweat, snap ligaments, and groan.
But this is only practice,
the race is soon to run.
Only then will these young oarsmen show
an old and tired Charon the ropes-
how to run his ferry faster
on this one of many rivers,
stroke by stroke by stroke.

By Leonard Kress (1987)
From the anthology Common Wealth: Contemporary Poets on Pennsylvania

Life’s Poetry

April is National Poetry Month. Typically, I celebrate by sharing poetry with my blog followers. If ambitious enough, I will be posting a new poem each day for the remainder of April. Below you will find a poem by Tosha Michelle. I discovered the wonderful, brilliant, persuasive poetry of Tosha when she first commented on one of my poems. I started following her blog immediately. I am sure you will be swept up by the imagery of “Life’s Poetry.”

I sit. Heart in hand. I
create. Some of you
may turn away from
the blood. The red
spilling over. It’s OK
if you do.

Sometimes it scares
me too, but still I
hold it. Palms out.
I’m giving you what
frightens me. This
is me saying, yes, I’m
still here.

I give you my less than
moments, my insecurities,
my madness, my ideas
about life and love, my
shrine of longing.

My heart slipping from
my hands, falling past
my knees to the floor.

Falling toward your
shadow I hope you
will pick it up.
Feel the hopeful
beat that wars
with my still
soul and chaotic
mind. I give you
my wounds.

We connect through
our pain, my friend,
my reader. Through
the hornets in our
coffee cups. Our
syllables of what
we can’t forget.

As we suffer together,
fear becomes less.
Our hearts beat stronger.
Place them on the
dashboard like a
plastic Jesus.

It’s doesn’t matter if
they leak on the
floorboard. It only
matters that we travel on,
even if we’ve misplaced
the map, even if our sanity
becomes displaced, even if
we drive down a reckless road
on a moonless night.

Understand, if we want
heaven and angels,
sometimes we have
to ride around with
our demons.

Understand, sometimes,
darkness is the heart of
life, of beauty, of art.

-Tosha Michelle

Please click on the following link for more of Tosha Michelle’s engaging poetry: https://laliterati.com/category/poems/

Dover Beach

April is National Poetry Month. Typically, I celebrate by sharing poetry with my blog followers. If ambitious enough, I will be posting a new poem each day for the remainder of April. Below you will find a poem by the great Victorian “poet of doubt,” Matthew Arnold. The poem recalls a brief moment from Arnold’s honeymoon in 1851. While standing by an open window, overlooking the cliffs of Dover, England, Arnold takes in the shoreline below, mesmerized by the sights and sounds of the sea as the tide goes out…

The sea is calm to-night,
The tide is full, the moon lies fair
Upon the straits—on the French coast the light
Gleams and is gone; the cliffs of England stand,
Glimmering and and vast, out in the tranquil bay.

Listen! You hear the grating roar
Of pebbles which the waves draw back, and fling.

At their return, up the high strand,
Begin, and cease, and then again begin,
With tremulous cadence slow, and bring
The eternal note of sadness in.

The Sea of Faith
Was once, too, at the full, and round earth’s shore
Lay like the folds of a bright girdle furl’d.
But now I only hear
Its melancholy, long, withdrawing roar,
Retreating, to the breath
Of the night-wind, down the vast edges drear
And naked shingles of the world.

Ah, love, let us be true
To one another! For the world, which seems
To lie before us like a land of dreams,
So various, so beautiful, so new,
Hath really neither joy, nor love, nor light,
Nor certitude, nor peace, nor help for pain.

And we are here as on a darkling plain
Swept with confused alarms of struggle and flight,
Where ignorant armies clash by night.

 

“Advent.” A Poem by David J. Bauman

April is National Poetry Month. Typically, I celebrate by sharing poetry with my blog followers. If ambitious enough, I will be posting a new poem each day for the remainder of April. Whenever possible, I will provide a link to more poetry by the featured poet.

david-bio-pic.jpg

David J. Bauman’s poems have appeared in San Pedro River Review, Contemporary American Voices, Blue Hour Magazine, and T(OUR), among other places. He has poems recently published or forthcoming in Yellow Chair Review, and Watershed: A Journal of the Susquehanna. He’s a winner of the University Prize from the Academy of American Poets, and editor of Word Fountain, the Literary Magazine of the Osterhout Free Library. He is a former co-worker of mine at the Priestley Forsyth Memorial Library in Northumberland, PA, and a good friend.

Weekday mornings on Bald Eagle Street
I waited for the bus. On winter days, I’d hide
by the dryer vent at the side of our house,
cupping warmth in woolen gloves, as inside
mom washed socks and jeans and sheets.

Saturdays I’d hide inside, close my eyes,
lean back against the machine. My feet tucked
into an empty laundry basket, I huddled up
to the hum and heat, soothed by the beat
of its rocking cycle, safe in my make-shift cave.

In those moments the world was my own,
and small enough to see—the narrow walk
between our house and Aunt Cindy’s, a slice
of the street, a glimpse of backyard promise—
even though the swing set was covered in ice.

There were tunnels through the snow
back there, for me to escape or defend.
Long white ledges lined with snowballs,
ammo, gradually amassed, a fortress to stand
against armies, or brothers, or any other foe.

By David J. Bauman

 

“Do Not Go Gentle Into That Good Night.” A Poem by Dylan Thomas

April is National Poetry Month. Typically, I celebrate by sharing poetry with my blog followers. If ambitious enough, I will be posting a new poem each day for the remainder of April. Whenever possible, I will provide a link to more poetry by the featured poet.

Today’s poem is one of my favorites by Dylan Thomas.

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This poem is a strong invocation for us to live boldly and to fight for what we believe in or desire. Thomas implores us to not just go gentle into that good night, but to rage against it. Even at the end of life, when “grave men” are near death, the poem admonishes us to burn with life. This is a life-affirming poem.

Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.

Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.

Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.

Wild men who caught and sang the sun in flight,
And learn, too late, they grieve it on its way,
Do not go gentle into that good night.

Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.

And you, my father, there on the sad height,
Curse, bless, me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light.

©1947 Dylan Thomas

Selected Poems of Dylan Thomas 1934-1952